“Continuing his journey, the Fool comes upon a beautiful and mysterious veiled lady enthroned between two pillars and illuminated by the moon. She is the opposite of the Magician, quiet where he was loquacious, still where he was in motion, sitting while he stood, shrouded in the night where he was out in the bright of day. She is the High Priestess and she astonishes the Fool by knowing everything about him. “Since you know me so well, perhaps you can help me,” says the Fool, laying out his sword, chalice, staff and pentacle. “The Magician showed me these tools, but now I’m in a quandary. There’s so many things I could do with them. I can’t decide.” In answer, the High Priestess hands over to him a pair of ancient scrolls. “These will teach you how to decide.” Seating himself at her feet, the Fool reads by the light of her crescent moon. Finally, the Fool knows enough that he can now decide what he wants, where he will go, and what he will do. Though he suspects that the High Priestess has even more secrets she could teach him–like what lies behind the pomegranate curtain–he is focused and ready to be on his way. Thanking the High Priestess, he heads off. But as he leaves he hears her whisper, quiet as the waters which bubble up from beneath her throne, “We’ll meet again…when you’re ready to travel the most secret path of all.”
“Having left the tree from where he hung, the Fool moves carefully through a fallow field, head still clearing from visions. The air is cold and wintry, the trees bare. Before him, he sees, rising with the sun, a skeleton in black armor mounted on a white horse. He recognizes it as Death. As it stops before him, he humbly asks, “Have I died?” He feels, in fact, rather empty and desolate. And the Skeleton answers, “Yes, in a way. You sacrificed your old world, your old self. Both are gone, dead.” The Fool reflects on that, “How sad.” Death acknowledges this with a nod. “Yes, but it is the only way to be reborn. A new Sun is rising, and it is, for you, a time of great transformation.” As Death rides away, the Fool can feel the truth in those words. He, too, feels like a skeleton, all that he was stripped away. This, he understands, is how all great transformations start, by stripping things to the bone, and building fresh upon the bare foundations.”
I was with some friends a few weeks back, and we all decided to read our tarot cards. Believe what you want about tarot — you can believe that the cards truly feed off your energy, or you can believe someone just wrote some universally applicable statements on some cardboard. No matter how you feel, some level of self-reflection is almost unavoidable when reading tarot cards, which I feel is never a bad thing. All I know is I enjoy taking a few minutes to appraise and analyze where I’m at in life.
When it came to my turn, I drew the Death card.
The Death card has a bit of an undeserved bad rap. It seems pretty scary and ominous, but read this description from a tarot site I like:
“In the Tarot, as in reality, Death is nothing more than a transition to the next level of life… Nothing is destroyed, because nothing can be destroyed – there can be only transformation…When the Death card appears, big changes are heading your way. Usually this change refers to something in your lifestyle; an old attitude or perspective is no longer useful and you have to let go of it. Death is not simply destruction; it is destruction followed by renewal. Even though one door may have closed, another is opening. Will you have the courage to step through?”
And wouldn’t you know it… here I am, a few weeks later, and I am appreciating how accurate this card was.
I am someone who has a very hard time dealing with changes and transitioning. I think one of the most important lessons I need to take from this card is that I need to have courage, strength and energy to step through new doors. I have been finding myself asking the universe a lot, “What should I be doing now? What should I be focusing on?” I keep putting off decisions because I’m terrified I’m going to move in the wrong direction. But I am trying to turn that fear into excitement. I am at a point where there are a multitude of paths lying in front of me — I just need to have faith in my instincts that whatever path I choose is the one I’m meant to be on. I need to roll with whatever happens. I’m starting to come to the realization that I waste a lot of time wondering what I should be doing, as opposed to just DOING something. I read in a book once the line, “Understanding is a delaying tactic.” I feel like in my life sometimes I spend too much time and energy analyzing what has happened and trying to understand it, when I could be putting that energy toward dance. Nike got it right — Just do it, Megan.
So I’m just doing it. I finally committed to pursuing a really amazing opportunity that was presented to me. Yesterday, I bought my plane tickets to travel to Sacramento for two weeks in January to study with Amy Sigil of Unmata. I recently posted a review of Amy’s workshop, and to recap, this woman’s approach to choreography and teaching has truly inspired me on a deep level. My mindset going into this trip is that I will be going on an artistic pilgramage (I’m a fusion dancer, so of course California is my mecca!). I want to study with as many teachers in the area as possible while there (Suhaila, Mira Betz, Ariellah, Fat Chance). I feel that right now I’m in a huge transitional phase, and two weeks to focus on what I love, to journal/blog, to contemplate, to plan, to receive inspiration and good energy, and to start to look ahead is exactly what I need.
Back at home, I’m pursuing as many forms of training as possible. I still am taking 6 hours of free ballet and modern dance classes every week through my job at Stephens College, which has been a huge gift from the universe. I have also been studying Odissi (a Indian dance style), which if I had to describe it, I would call it “danced sign language.” Studying the different mudras (hand gestures), what they represent, and how they can be connected together to tell a story has been absolutely fascinating. I just took my first hula hooping workshop this weekend, and I am definitely going to try and attend more regular classes for that, as well. I am always looking for more training and new dance groups to work with.
There are some other really exciting opportunities on the horizon. I performed my latest piece, “Love and Loss in One Act,” at a fundraiser last weekend for Artica, and art festival in St. Louis (visit Artica’s website for more information on the event!). The night was absolutely wonderful — I love meeting new people, and it’s so inspiring to talk with people who are creating really powerful art. I will be performing this 17-minute dance piece again alongside Nichelle Lawrence’s photography show, “Unrequited Love,” at Artica, which will take place on December 19 on the St. Louis riverfront. My piece includes music by Etta James, The Flaming Lips, Cat Power, Keren Ann, Damien Rice, and Janis Joplin (covered by Melissa Etheridge). This piece is one of my tentative forays into what I have been labeling “contemporary belly dance fusion” — a combination of belly dance, modernized interpretations of classic belly dance props like finger cymbals and veils, modern dance, theater, and other contemporary dance styles.
While there has been a lot of excitement, some recent events have unfortunately left me contemplating the more literal interpretation of this card, as well. My grandfather was diagnosed recently with a very rare form of hip cancer — so rare, in fact, that he doesn’t even qualify for any experimental trials. He has undergone chemotherapy, I will be flying with my family to visit him this weekend. I can’t even really say how I feel about it… it’s an odd feeling. I am usually pretty good at understanding and expressing what I’m feeling, but on this issue… I just feel jumbled. I’m trying to focus on the fact that I am very fortunate to have three days to spend with my grandfather, who I do not get to see often since he lives far away.
I am gearing up for more changes in my life, and I am getting ready to put my energy into working toward new goals and exploring new opportunities. On that end, I am no longer dancing with the Dragonflies Dance Company. I, however, will cherish my Moon Belly memories dearly, for through this amazing community I have learned a lot about myself and the strength and power of women — I sincerely thank each and every woman I had the opportunity to train with. If you are in the area, do make a point to see their upcoming show on December 12, 8PM at the Blue Note: “100,000 Feet Deep: Mary Magdalene,” a theatrical/modern/belly dance interpretation of the life of Mary Magdalene. These women have been working exceptionally hard, and it’s amazing to see what this community is creating together. Tickets are $10 and can be purchased at http://www.thebluenote.com.
I’d like to end with another excerpt from the tarot website:
“Take a look at the Rider-Waite version of the Death card, and note the bishop on the right side of the image. He is actually welcoming Death, because he knows of the great spiritual transformation it brings. Almost all versions of the Death card show a symbol of resurrection or re-birth.”
Bring it, Death. I’m ready for change.